Compositing, editing and colour that hold a frame together — the kind of work people finish watching. No templates, no filler, no safe cuts.
Hover a row to preview the frame. Everything here is cut, composited and graded end to end.
Nothing gets handed off between stages — which is why the look you approve is the look that ships.
01 / VFX & Compositing
3D built and lit to match the plate, then composited so the seam disappears. Clean-up, removals and inserts that nobody is meant to notice.
02 / Editing & Pacing
The cut is built around where attention goes. Every clip earns its length, and the beats land where the story needs them — not where the music happens to change.
03 / Colour
Balance first, then the grade. Shots matched so nothing jumps between angles, and a look that survives compression on every platform it lands on.
04 / Motion Graphics
Titles, overlays and kinetic type that carry information instead of decorating it. Built to read in the first half-second, at any size.
Clear stages, no black box, nothing lost in DMs.
Footage, references and the goal. We agree on what the edit has to do.
You get back a short plan: what the edit will do, how long it takes, and what's realistic in that time.
Assembly, VFX and sound design. The cut takes shape end to end.
Working in that order keeps changes cheap early and rare late.
Timestamped notes on a private link. Revisions in focused rounds.
Comments land on the frame they refer to, so nothing gets lost in translation.
Graded masters in the formats you need, sized for where they're going.
Each export is checked at its target size — what reads on a monitor doesn't always read on a phone.
I turn raw footage into something that looks deliberate — cinematic, controlled, and impossible to scroll past.
Most of my work lives between Blender and After Effects: 3D elements built and lit to match the plate, composited so the seam disappears, then cut and graded as one piece rather than three separate jobs.
That end-to-end setup is the point. Nothing drifts between stages, and there's one person accountable for how the final thing feels.
Send the brief and the raw files. You'll get a straight answer on what the edit needs.
